

In-camera menus make a variety of options available, including control over aperture, exposure compensation and ISO setting.

An upside shared with other budget Z-mount lenses is that the control ring nominally used for manual focusing can be assigned to various other functions when in autofocus mode. You therefore need to resort to in-camera menus to make any changes, which can be relatively time-consuming and a bit of a bother. This time around, it’s an HB-101, which will set you back around £35/$40.Ī potential handling disappointment, compared with the older F-mount lens, is that auto/manual focus and VR on/off switches are omitted. As with the older lens, the petal-shaped hood is sold separately rather than being supplied in the box.


However, while the mounting plate is ‘only’ plastic, it’s robust and shouldn’t be a problem. Dust can be an issue as the Z 50 and Z fc lack an automatic in-camera sensor cleaning routine. The lack of a weather-seal gasket on the mounting plate, to guard against the ingress of water and dust is disappointing. However, while a couple of millimeters might not sound like much, the relatively tiny, retractable Z DX 16-50mm f/3.5-6.3 VR gives a noticeably wider maximum viewing angle, while the Z DX 50-250mm f/4.5-6.3 VR makes a comfortably small and lightweight addition when you need extra telephoto reach.Īlthough the lens is significantly more lightweight than the F-mount version, it feels pretty solid and well-built. That covers most bases for travel and everyday casual shooting, without the need to carry multiple lenses or swap between them.
